My New Band Believe Arrive in Cardiff on Major International Tour 2026

Key Points

• Believe, the brand new musical act featuring former Black Midi member Cameron Picton, will play at The Globe, Cardiff on 27 October 2026, touring across the globe.
• This Cardiff show will be preceded by Liverpool (26 October) and followed by Brighton (28 October) performances, along with many other concerts across the UK and Europe to be held in November 2026.
• The debut album of the group with the same name, published under Rough Trade Records label, has been mentioned as an Album of the Year for 2026 by Pitchfork, The Guardian, NME, and Clash.
• In preparation for the tour, the group has released remixes of their single “Numerology” by artists 96 Back & Jennifer Walton and Proc Fiskal, available on 12 inch vinyl records, exclusive to their concerts.
• The tour is scheduled across North America, Asia and Europe and the dates will include the US, Canada, South Korea, Japan and other European cities as well.

Cardiff (Wales Times) September 17, 2026 – Leading independent music venue The Globe has announced that My New Band Believe will perform in uk/local/cardiff/">Cardiff on 27 October 2026 as part of an extensive international tour, according to reporting by News from Wales. The show forms part of the UK and European leg of a wider itinerary that includes North America, Asia and multiple European countries, as outlined in tour listings shared by Pitchfork and The Line of Best Fit.

As reported by multiple outlets, the Cardiff date sits between a Liverpool show at District on 26 October and a Brighton concert at Concorde 2 on 28 October, before the band continues to festivals and club dates in Portugal, Spain and Italy in early November. The announcement positions the Cardiff concert within a broader sequence of autumn 2026 performances that follow the group’s appearance at Green Man Festival in Wales in August, according to The Line of Best Fit and MusicSuey.

Who are My New Band Believe and who is leading the collective?

My New Band Believe is a new collective led by Cameron Picton, the former bassist and singer of Black Midi, whose previous group went on hiatus in 2024, according to the Chicago Sun-Times. The project has been described as an art-rock group that builds on Picton’s progressive style while incorporating more acoustic and whimsical compositions, as noted in festival coverage and profiles.

The band’s self-titled debut album, My New Band Believe, was released via Rough Trade Records and has received critical attention, with Pitchfork awarding it a “Best New Music” rating of 8.4 and The Label noting appearances in year-to-date album lists from The Fader, Pitchfork, The Guardian, Clash, Time Out and NME. In an interview with The Indie Scene, Picton described the record as a collaborative effort that developed over a long period and drew on work with other musicians, including the ensemble Caroline, while avoiding a fixed “solo” or “band” identity.

What is the full My New Band Believe international tour schedule?

According to tour listings published by Pitchfork and corroborated by The Line of Best Fit and MusicSuey, My New Band Believe’s 2026 itinerary began with North American dates from 26 August, continued through Asia in September, and moves into the UK and Europe across October and November. The North American leg included shows in Los Angeles, San Francisco, Sacramento, Portland, Seattle, Vancouver, Madison and Chicago, while the Asian segment featured dates in Seoul, Osaka and Tokyo.

The UK and European run includes performances in Amsterdam, Copenhagen, Hamburg, Berlin, Prague, Antwerp and Paris in October, followed by UK shows in Todmorden, York, Newcastle, Edinburgh, Liverpool, Cardiff and Brighton, before festival and club dates in Guimarães, Madrid, Barcelona, Milan and Turin in early November. Additional reporting by Fruit & Grooves Collective in September 2026 noted that the group has also announced UK and Ireland tour dates for early 2027, including stops in Glasgow, Belfast, Dublin, Manchester, London and Falmouth.

How has the debut album been received by critics and audiences?

My New Band Believe’s self-titled debut has been highlighted in several “Album of the Year So Far” lists, according to The Label and MusicSuey, which cited recognition from The Fader, Pitchfork, The Guardian, Clash, Time Out and NME. Pitchfork’s “Best New Music” review awarded the album an 8.4 rating and described Picton as “one of the most crucial voices in Indie Rock today”, a quote reproduced in promotional materials for the remixes and tour.

In an interview with The Indie Scene, Picton discussed the album’s development as an exploration of different paths and collaborators, emphasising that he did not want to impose a single identity on the record. He also noted that live recordings and performances influenced his approach, telling The Indie Scene that studio recordings can feel “slightly soupy” compared with the potency of live versions, though he stopped short of declaring one format inherently more authentic.

What remixes and exclusives are tied to the tour?

Ahead of the tour, My New Band Believe released two remixes of the single “Numerology”, produced by 96 Back with Jennifer Walton, and by Proc Fiskal, according to Pitchfork, The Line of Best Fit and Culture Daily News. Both versions were issued on a 12-inch vinyl that is being sold exclusively at the group’s live shows, including the upcoming UK and European dates, as reported by Pitchfork and Culture Daily News.

The remixes follow the earlier release of “Numerology” as a standalone single that introduced Picton’s new project earlier in 2026, according to The Partae, which described the track as a “frantic” introduction to the collective’s sound. The decision to tie the vinyl release to live performances aligns with the band’s emphasis on touring and live presentation, which Picton highlighted in his interview with The Indie Scene when he recommended that people listen to the album “really loud”.

Background of the development

The Cardiff announcement comes as part of a wider autumn 2026 push by My New Band Believe to present their debut album in a live setting across multiple continents, following a high-profile appearance at Green Man Festival in Wales in August 2026. The group’s formation follows the 2024 hiatus of Black Midi, with Picton establishing a new collective that retains elements of art-rock while expanding into more acoustic and collaborative territory, according to coverage in the Chicago Sun-Times and The Indie Scene.

The tour routing reflects a strategy of combining club shows with festival appearances and regional circuits, with the UK and European leg positioned between North American and Asian dates and concluding with southern European shows in November. The exclusive 12-inch remix vinyl, available only at concerts, reinforces the centrality of live performance to the project’s rollout, as noted in reporting by Pitchfork and Culture Daily News.

Prediction: How could this development affect music fans and the Cardiff scene?

For music fans in Cardiff and across South Wales, the arrival of My New Band Believe at The Globe offers exposure to a critically acclaimed, internationally touring act emerging from the UK’s art-rock sphere, potentially raising the profile of local independent venues within global touring circuits. For audiences already engaged with Black Midi and related London-based experimental scenes, the Cardiff date provides a rare opportunity to hear Picton’s new material live without travelling to larger English cities, which may strengthen local demand for similar bookings in future.

For The Globe and comparable mid-cap venues, hosting a group with strong critical momentum and an international itinerary could encourage promoters to route more touring acts through Cardiff as part of wider UK and European runs, particularly for genres that sit between mainstream and niche audiences. Over time, repeated inclusion in such itineraries may help stabilise attendance patterns for independent music in the city and support a more diverse calendar of autumn and winter shows, assuming ticketing and pricing remain accessible to local audiences.